Sunday, July 05, 2015

About Places

No poetry today, just some not-so-coherent musings. There has been not much from me lately. I have been tied down with work, knocked out by the flu for a couple of weeks, and am working hard on some poems for a national poetry competition, which unfortunately, I am unable to submit as the deadline was just a few days ago. Oh well!

This piece has been sitting in the hard drive for some years, until I dusted it out recently and rewrite a few lines. There are some more squatters in my PC's hard drive. :)





almost Mondrian
image by dsnake1, done with PSP9




About Places




A post by blogger Gautami Tripathy some years back stirred my lazy grey cells. She wrote :


How does place figure in your writing? Do you feel comfortable in the place you live, or do you feel at odds with your atmosphere? Do you convey that in your writing? What stories does your location have to tell?



I have not really given much thought to this question before, because when I feel like writing, I will just write. I know, sounds cliched, but that's what it is

So I guess the 5Ws, the who, what, where, when and why are the questions I have to answer when I begin to write something, be it a short story or a poem. These are parts of the jigsaw puzzle that has to be fixed, the ingredients that are needed for a meal. And "place", the "where", is just part of the equation, although I think a very important part.

So yes, "place" do figure highly in my writings. The entries I sent to a national poetry writing competition some years back were all about a single place. A place I spent part of my youth, where I found my love, a place labelled dangerous, but a warm-hearted place, if you lived long enough there. I have written about places with names. Places with no names. The places where I had lived. Other cities. Sometimes, I build a poem around a place. Sometimes a person, and even a time.

Writing, and especially poetry, is about observation. You sit in a cafe with a coffee, you are packed with the crowds in the train, and there is nothing much to do but observe. The people around you, the places you frequent, you live in. The buildings, the streets, parks, trees, and eateries.

You will write about this because these are the things you know. The park bench you sat with your loved one, the street which wore your sneakers thin on your daily walk to work, the dark hill which you charged up with your platoon mates. The pub where you fought with Captain Morgan. Love and war and apathy makes you see a place differently.

So what are the places that inspire you? A wasteland, a war trench, a tranquil beach? A set of GPS coordinates? A planet in another galaxy?

A place, like a person, has character too. We fear a dark alley, and the dangers that may lurk within. A meadow with green blades of grass invigorates us. The booming waves on a breakwater sing to us of freedom. A wild flower growing out of a crack in concrete reminds you of resilience..

In its own quiet way, place is always around. Not just in my writings, but also in my physical environment. because it is just too important to ignore.


June 2015
*********







The reason one writes isn't the fact he wants to say something. He writes because he has something to say.

-- F. Scott Fitzgerald





© cheong lee san ( dsnake1 ) 2015

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Sunday, September 28, 2014

Tampines Bike Park

I am sorry to see it go. This bike park is the only place near my home where we can do off-road riding. So two weeks back I was there to get some long due trail riding when the security told me the park is closing its gates for good in two days time, on the 15th of September. A new town of housing blocks will be built over the land.

In the past years I have regularly gone there to improve my skills in off road cycling. I am still a lousy rider. I have left some skin many times on those gravel and stones. But for those looking for an adrenalin fix (or just for some plain exercise) it is a good place to go. I like the challenge of man and machine against nature.

I am going to miss this place. Cycling in a public park and a trail are different. I will miss the challenge and unpredictability of the latter. So before the place is totally transformed, I took some pictures with my cell phone. The quality is not so good though. Oh yes, it also inspired the haiku (and a tanka, sort of) that accompany the photos. :)




Tampines Bike Park




one of the few trees not zapped by lightning.



evening-
the birds return to the tree tops
to gossip.





elephant grass in the sunset



i think of days
in the tall grass with rifles.

the sunset is brief
it could be longer.

and then the croaking of toads.






a much needed rest after a ride



defying physics-
alloy tubes, rubber and leg power
over mud and gravel.






night is falling
all photos by dsnake1


the moon
trapped in those branches
sighs and sleeps



28/09/2014
**********









Get out and get some play.





© cheong lee san ( dsnake1 ) 2014

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Sunday, December 29, 2013

a year in a minute

What event in 2013 leaves a lasting impression in your mind?




image by dsnake1




a year in a minute





To me there is one image that defines the year. Floods.

Not the troubles in Syria or other ongoing wars but the floods that swept so many countries, even in my own backyard. You see, I was out for lunch one sunny noon and then the rains just poured out of nowhere, no warning.

I was fortunate, I was only inconvenienced, nothing compared to the scenes of fast currents sweeping away hopes, mudslides, grieving families elsewhere. Are we paying the debts for this rape of the earth? Or is this to be expected in the year of the Water Snake?




29/12/2013
**********

100 words exactly (again)








A year in 100 words. In the Chinese zodiac, 2013 is the Year of the Water Snake.


Shared on Poetry Pantry #182 at Poets United.





© cheong lee san ( dsnake1 ) 2013

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Sunday, September 15, 2013

about haiku

This is an essay about haiku. I hope.




image from visipix.com


what i have learned about haiku



I started writing English haiku only recently, maybe about five or six years back when I started sending in stuff to the monthly shiki at haikuworld.org. I said stuff because what I wrote then, on retrospect, was not really haiku, maybe some words worked into 3 lines and seventeen syllables.

So after climbing a learning curve, read some really good haiku from some blogs, websites and books, and writing some myself ( I mean really write), I have come to see haiku in a different light. What was once I thought for kids and word-blocked writers (hey, what's so difficult about a three line poem?) was something not easy to fathom. It is like fencing in the dark.

This is what I have learned so far, about haiku in English:

A haiku in Japanese is usually written in 3 groups of syllables (5-7-5), 17 syllables in all. This is pretty rigid in Japanese. In English, it is not wrong to write in 17 syllables (following the rules), but usually, only 10 to 12 syllables are the norm.This is something to do with diphthongs, which I will not explain because it will get me into a tangle.

A haiku is about the present, thus it is always written in the present tense. It is concerned about a single happening.

Avoid metaphors and similes. Words like "as" or "like a" should not be used in haiku, because what you intend to say will be associated with something else.

I have learned something very basic about haiku from fellow bloggers and haiku maestros. One very good haiku writer told me these words : "Show, don't tell." Don't tell the reader what to feel. Tell the image instead, let the reader interpret and feel in his own imagination. Don't say, "how happy!" Show what is happy. This is the mantra that I repeat to myself when I start on a haiku.

There are not many words you can squeeze into a haiku. Thus there are some words that should be dropped. Most adjectives, adverbs, long bombastic words. No emotional words like "beautiful" and "horrible". Leave that to the reader. Avoid "I" since you don't need to show what you are feeling.

Haiku is about experiences. Do not overlook the seemingly small details. That said, it does not mean that an older person is a better haiku writer than say, a very young one. Children can write very good haiku too.

remember the 3 lines :
image
image
event.

That's about all that I can think of at this moment. If you, dear reader, has anything to share, feel free to leave your comments..

As William J Higginson wrote in his very excellent book The Haiku Handbook, "the central act of haiku is letting an object or event touch us, and then sharing it with another."




Here are some examples from the masters:

on a bare branch
a crow has settled...

       autumn evening


- Basho (1644 - 1694)


sick on a journey -

dreams wander on
over dried up fields.


- Basho



by a winter river
forsaken, a dog's
         carcass!


- Masaoka Shiki (1867 - 1902)



in the toy pail
at low tide        floats
the still ferris wheel



- Cor van den Heuvel





And now, (not from a master), an urban haiku :


day moon at first light.

the street lamps
hesitate to switch off



- dsnake1



Shared on Poetry Pantry #167 at Poets United.





© cheong lee san ( dsnake1 ) 2013

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Wednesday, February 02, 2011

a river of stones - update





So, I have completed the a river of stones writing challenge. Not as tough as NaPoWriMo, but still challenging.

Below are the links to some selected stones. Well, almost all of them. :)



aros #1 - new day
aros #2 - sale
aros #3 - aged
aros #5 - storm
aros #6 - a dream
aros #7 - untitled
aros #9 - dogs barking
aros #10 - rain
aros #11 - empty tables
aros #13 - The War of the Worlds by H.G. Wells, super-condensed
aros #14 - rush hour
aros #15 - technology
aros #16 - festive shopping
aros #18 - crows feeding
aros #20 - days
aros #21 - waves crash
aros #23 - offerings
aros #25 - chatter
aros #27 - street lights
aros #28 - your smile
aros #30 - stoic
aros #31 - the art of writing




If you want to read the whole lot at one go, click here to go to my other blog, i write too


© cheong lee san ( dsnake1 ), 2011

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Sunday, January 27, 2008

That's it.

Pills
photo by Aidairi
image from morguefile.com


That's it, folks. The 8 poems I sent for the Golden Point Award competition.

I wrote about a dozen for the competition, but I chose these 8. I thought these were the meanest and strongest of the bunch. Well, maybe it was not mean enough (or it was too loud for the judges' liking).

Another 3 or 4 that didn't make the cut are languishing somewhere in my thumb drive. Maybe one day, I will post those rejects too, if I should run out of ideas or steam. :)

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Saturday, December 08, 2007

not

Received a polite snail mail from The Arts House a few days ago :


Dear Mr Cheong,

GOLDEN POINT AWARD 2007

Thank you for your participation and interest in the Golden Point Award 2007

I regret to inform you that your entry/entries has/have not been successful.

Thank you for your interest in the competition. We hope that blah blah...





image by dsnake1
postmark


The "not" is both in bold and underlined. Hmm, there goes the 15 bucks. Back to the drawing board. Or writing pad or keyboard. No regrets taking part though.

And all this means I can start posting my entries here. If I can just shake off this lethargy from this blogging break.





And by the way, the winners have been announced. Just a tiny report on the 6th December issue of The Straits Times. Wasn't sure if it was reported in the other language papers.

Congratulations to Mr. Ma Huaqi, a literature undergraduate from the University of Queensland, Australia, who won the English poetry prize. Oh, yes, congrats to the other winners too in the other language sections and categories.

You can read about it here though there's no excerpts from the winning entries.

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